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J. H. Authors

One Woman. Three Names. Many Books.

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Musings

NICHOLAS NICKLEBY

December 5, 2010 by jhauthors

When I heard that Lyric Stage Company here in Boston was doing NICHOLAS NICKLEBY I applauded the scope. When I heard members of the company talk about it, I applauded the passion. And now that I’ve seen both parts, I applaud the production. Two parts, three hours each. Twenty-four actors playing dozens of parts. Stunning elements by Boston designers. Big and bold.

And wonderful. I was transported and sorry when it ended. I could give you specifics, but instead I encourage you to go see it. Try to see both parts. If you can’t, see at least one of them.  Then we’ll talk.

Filed Under: Theatre

A Radio Version

December 5, 2010 by jhauthors

The past couple of Christmases have developed a new “tradition” which would be hard to schedule. After a flurry of activity with my sister and her family in Maryland, my parents and I have a nightcap and listen to a Washington DC station that plays old radio shows. We’ve caught the Lionel Barrymore version of A CHRISTMAS CAROL. (Scroll down on this link–they have it available on this website.) It isn’t just Lionel Barrymore–it is narrated (and was directed) by Orson Welles.

I love radio plays. You can listen and knit and lose yourself. It always amazes me that you don’t miss the picture, because the narrative structure lets you see the show. Now this is an abridged version (and only runs an hour), and it centers around the star. But it is worth a listen.

And realizing that some people may not know who Lionel Barrymore was (though that makes me sad), he was Mr. Potter in IT”S A WONDERFUL LIFE. He was also great in KEY LARGO and A GUY NAMED JOE and YOU CAN’T TAKE IT WITH YOU and…

So take an hour and lose yourself in this radio play. (Here’s another website in case the first one doesn’t work.) What do you think?

Filed Under: A CHRISTMAS CAROL

A 70’s SCROOGE

December 4, 2010 by jhauthors

SCROOGE 1970

Even though SCROOGE is set in the Victorian era, and has wonderful details, there is a 70’s vibe about the movie. Certainly a post OLIVER tone. But let me start at the beginning.

I first saw this version on a Girl Scout field trip. Now if it was the year of release, I was about eight. My sister and I remember being scared witless by a few of the scenes, especially the hell scene at the end of the movie (after Scrooge falls into the grave). Jacob Marley is played by Alec Guinness, which may explain the “extra” hell scene. Wouldn’t you want to use him more? Anyway, I remember being horrified when the half naked sweaty men (very 70’s, those forgers) kept wrapping Scrooge in chains. Remember–we saw it in a movie theater. And I was a wimp.

Scrooge is played by Albert Finney, who was young and handsome but played old and eccentric very well. (See MURDER ON THE ORIENT EXPRESS for another example). When Scrooge drinks his soup (just prior to Marley’s visit) you have a sense of the cold and self imposed poverty. Scrooges dirty fingernails also speak to his disregard. And the Belle scene is a killer, with old Scrooge hating having to watch the folly of his younger self. Finney is so good. And the cinematography is wonderful–all grays with flashes of red, like Scrooge’s long underwear.

There are some plot changes–not huge but not insignificant. Belle is Fezziwig’s daughter in this version. We get to know a lot of the townsfolk who owe Scrooge money. Tiny Tim and his cute sister stare at the toy store window longingly while waiting for their father. Most of these changes help support the musical numbers.

Yes, that’s right. This version is a musical.

Maybe that’s one reason for the 70’s vibe–Leslie Bricusse also wrote or co-wrote WILLY WONKA AND THE CHOCOLATE FACTORY and DOCTOR DOLITTLE. “Thank You Very Much” came from this movie–you’ve probably heard it, but thought it was from OLIVER or another period 70’s musical.

I suspect that this may not be a great version, but I have such a fondness for it I can’t judge. I loved the “I Like Life” song with the Ghost of Christmas Present (Kenneth More, complete with pendant and chest hair). And I loved the big redemption number at the end. Come on, musical theater and A CHRISTMAS CAROL. How could it go wrong?*

*Let us count the ways…later this month.

Filed Under: A CHRISTMAS CAROL

BAH HUMDUCK! Indeed.

December 3, 2010 by jhauthors

A couple of things you should know about me before you read this post.

First, my co-conspirators in this CHRISTMAS CAROL quest are my twin nieces. They will be 8 two days before Christmas. We’ve been watching the MUPPET CHRISTMAS CAROL for years (and all year long), but this year they are into it. We quote certain lines together. (“Long past?” “Your past.” Pronounced Pahst like a good English spirit). Anyway, their view will be intertwined at points.

Second, I was never a Looney Toon fan. I know, I know. My Greek chorus would be aghast.  But the situations always made me a wreck when I was a kid–would Tweety get eaten? Would Road Runner get squished? Just too much drama. More of a Disney girl I guess.

So I bought BAH HUMDUCK! A LOONEY TUNES CHRISTMAS to add to my Christmas Carol collection, and also because the nieces and nephews (and brothers-in-law) love it, so I figured why not.

Daffy Duck is the Scrooge character. Porky Pig is the Bob Cratchit character, and he appears to be a single father with a cute (but healthy) daughter who is the Tiny Tim stand in. A lot of other Looney Toon characters flood the story as well. It has parallels to Dickens, but isn’t completely faithful (there’s a surprise) and cuts out a lot of the story. Like any part where someone dies Which is to be expected for a cartoon, I suppose.

I didn’t love it, but the nieces did. And I suspect I would have liked it more if I understood more of the character backstory so I could understand the meta references. I know, I’m probably overthinking it.

Filed Under: A CHRISTMAS CAROL

A CHRISTMAS CAROL solo performance

December 2, 2010 by jhauthors

show posterI was fortunate enough to see a one man CHRISTMAS CAROL that blew my mind. It starred Patrick Stewart. He wore a green modern dress suit and played all of the parts himself. He used a few pieces of furniture as props, and that was it. The rest was all him.

Now Dickens himself did readings of A CHRISTMAS CAROL on tour, so the conceit wasn’t new. And I have heard of other one man versions. That said, Stewart made the piece his own. That one man could capture the entire Fezziwig party may not be believable, but it happened. Each character existed onto him or herself, and together they filled the imagination. It was a moment that truly exemplified the magic of theater.

When TNT announced Patrick Stewart was playing Scrooge in a new version, I hoped it would be the one man version. Alas, it was not (though it was a fine production which I will talk about later on this month).

There is a CD of Patrick Stewart performing (for it transcends a reading) A CHRISTMAS CAROL which is well worth listening to. You won’t have the physicality of his performance, but you do have the vocal storytelling. Do yourself a favor and give it a listen.

Filed Under: A CHRISTMAS CAROL, Broadway, Musings, Theatre

A MUPPET CHRISTMAS CAROL

December 1, 2010 by jhauthors

THE MUPPET CHRISTMAS CAROL (1992)

A MUPPET CHRISTMAS CAROLWhat better way to start this adventure than with the Muppets? This mixture of muppets and humans, most notably the great Michael Caine, is pitch perfect on so many levels. Sure, there are some Muppet additions (“Having a Heat Wave”, for example), but for the most part this is a very faithful adaptation of the story. They’ve added Dickens (Gonzo) as the narrator, and given him a sidekick in Rizzo the Rat. “Light the lamp, not the rat. Light the lamp, not the rat” and “thank you for making me a part of this” are classic lines not found in Dickens’ original text. And the Ghost of Christmas Present doesn’t have any tough love for Scrooge. But these are quibbles.

The Belle scenes are great, and heartbreaking. Miss Piggy is very funny as Mrs. Cratchit, but she also breaks your heart in the future scene after Tiny Tim has passed. Most of the Muppets are used at some point, which is great for fans. And Fozziwig played by the great Fozzy the Bear. And then there are the musical numbers that add to the whole.

Truly a movie for the whole family, A MUPPET CHRISTMAS CAROL is a great way to start the challenge. What Muppet use do you think is the most inspired? Fozziwig? Sam the Eagle? Emily Cratchit?

Filed Under: A CHRISTMAS CAROL, Movies, Musings

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